• by Jessica Niñerola
    DANCING IN THE DARK: HOW MUSIC WALTZED INTO MUSEUMS

    An audience guided by darkness, stare in front of a huge multi-screen landscape waiting for a 3-D concert. The anticipation rises as our figures silhouetted by neon lights appear duplicated on the screens. It is 2013 and international press have travelled to Sónar Festival to see Kraftwerk’s live performance. Here, they will ascertain whether the show that has been performed at MoMA as a retrospective the year before, deserves to be staged in the context of a museum or if it is limited to the music festival arena. It is not the first time the German electronic pioneers combine art, computer-speech technology and music (their first contribution was at the Venice Biennale in 2005); and nor will it be the last. In 2013, their 3D show sold out for eight consecutive nights at Tate Modern’s Turbine Hall in less than an hour. This opened up a pre-existing debate: the institutionalization of music in the arts.

  • by Oliver Pickford
    Bricks vs Clicks: The Internet and the Art Market

    The recently published 2017 Hiscox Online Art Trade Report strongly supports the notion that the online art market now occupies an increasingly large part of the commercial art scene. The online art market has exploded in the past few years, with more art lovers than ever turning to the internet to satisfy their art-buying needs. Hiscox’s report shows that this revolution shows no signs of slowing down: in 2016, for every twelve pieces of artwork bought on the market, one of those was an online purchase.

     

  • by Golden Squared
    London Art Week 2017 round-up

    It’s been a hot week in the London art world, both literally and figuratively. London Art Week 2017 coincided with one of the hottest Junes on record and kicked off with an al fresco breakfast at the Royal Automobile Club in Pall Mall. This was a TEFAF event, held on the 29th June in partnership with Invaluable and London Art Week, to celebrate the opening of London Art Week.

  • by Guest blog from our work experience placement Caitlin Allen
    iPad Art

    Artist David Hockney is a much-renowned enthusiast of iPad art. It was during his 2012 ‘A Bigger Picture’ exhibition at the RA which saw a whole room dedicated to works constructed entirely on his iPad: a bold series of landscapes he made using his preferred app ‘Brushes’. Martin Gayford recalls receiving a text from Hockney once which read “I’ll send you today’s dawn this afternoon, an absurd sentence I know, but you know what I mean” and later that day, “it duly arrived: pale pink, mauve and apricot clouds drifting over the Yorkshire coast…It was as delicate as a Turner, luminous as stained glass and as hi-tech as any art being made in the world today. Hockney had drawn it on his iPhone.” New technology allows us to share creations in a fast and immediate way.

  • by Gabriella Pampel
    Jean-Michel Basquiat, ‘Untitled’, 1982
    Jean-Michel Basquiat, ‘Untitled’, 1982

    An array of high profile art and jewellery sales dominated the news last week, marking a monumental time for auction houses across the globe. With a set of astonishing results throughout the board there were several significant record-breaking sales...

  • by Beatrice Fenton
    New Masters

    There is a consistent drum throughout the art world that contemporary art is where it’s at. More and more contemporary galleries are popping up and in turn the old has to make way for the new. A recent blow to the art world was Christie’s announcement of its planned closure of its South Kensington office as well as closing the Old Masters department in its Amsterdam office. However, last month, two of the most prominent figures in the contemporary art world, Jeff Koons and Damien Hirst, unveiled their new projects.

  • by Phoebe Ladenberg
    Which tradition of portraiture was sculptor Emanuel Santos following?

    While Cristiano Ronaldo puts on a brave smile as he sees his beloved face warped into hideous contortions in a statue meant to last for generations, we consider which tradition of portraiture sculptor Emanuel Santos was following.

  • by Rosie Field
    Awards Season

    Awards Season

     Awards season is underway with Sunday night’s BAFTAs kick-starting celebrations for achievements in film over the past year, and the Oscars to follow later this month. With this in mind, and seizing the opportunity to celebrate some art-world happenings, we are delighted to present the Golden Squared Consulting Awards...

  • by Freya Simms
    Carols in The Scrubs

    Would you look for a king (the baby Jesus) in a stable, tucked away behind an inn, or an artist in a prison? Honestly, probably not, but that is just what the Koestler Trust aims to do, eloquently explained by their Chair, Dame Anne Owers former Chief Inspector of Prisons, at a carol concert co-hosted with HMP Wormwood Scrubs. 

  • The Gift of Happiness

    GUEST BLOG FROM OUR WORK EXPERIENCE PLACEMENT, JULIANA BURNS
    The Gift of Happiness

    With Christmas just around the corner, and last minute shopping to be done, I have started to think about what makes a present meaningful. Some of my family members are over the moon when presented with a really nice pair of fluffy socks, whereas others require well thought out, quality gifts that I would never think of by myself. This is also why my rule is quickly becoming: when in doubt, consider art.

  • by Phoebe Ladenberg
    Dreweatts & Bloomsbury Auctions: Prada, a dark blue deerskin leather handbag, with twin rolled leather handles, the interior with three zip compartments and three pockets, 41 x 30 x 17cm, with a Prada dust bag and ID tag £100-150
    Dreweatts & Bloomsbury Auctions: Prada, a dark blue deerskin leather handbag, with twin rolled leather handles, the interior with three zip compartments and three pockets, 41 x 30 x 17cm, with a Prada dust bag and ID tag £100-150

     

    Browsing through Dreweatts & Bloomsbury’s Designer Handbags and Luxury Accessories catalogue the other day it struck me not only how rare and lovely some of these items were, but how good value they are too. At a time when ‘second-hand’ has transformed itself into ‘antique’, ‘vintage’, ‘original’ and ‘special edition’, we have seen many Oxfams and British Heart Foundations change from the traditional 10p-bargain-bin format into vintage boutiques priced by fashion experts. This has become a common way for people to give money to charity, while the charities’ profits have multiplied. What it also means, however, is that those one-off gems that used to be discovered nestled behind a rail are few and far between, as they tend to be sold on for the (correctly) higher price to a more specialist shop.

  • by Lucy Barry
    Taking a bite out of the big apple – TEFAF discovers the new world

    October 2016 saw the inaugural TEFAF New York, the first public outing of TEFAF in New York. TEFAF will now operate two fairs annually in New York, one in the autumn focused on classical works, and one in the spring, focused on modern and contemporary works and design, alongside the flagship fair, TEFAF Maastricht, in March. TEFAF Maastricht is one of the most established fine art, antiques and design fairs in the world and to see it translate to a US audience begs two questions – how easy is it for a fair to establish itself overseas and how does it continue to offer something of significance for an increasingly sophisticated audience? These questions will have multi-layered answers but a few things stood out to me that I will elucidate here.

  • Reflecting on 1:54 Contemporary African Art Fair

    GUEST BLOG FROM OUR INTERN, AMY MARZECKI
    by Guest blog from our intern Amy Marzecki
    Kenyatta Hinkle, The Officer's Bride, 2016, india ink, paper on wood panel, 24 x 18
    Kenyatta Hinkle, The Officer's Bride, 2016, india ink, paper on wood panel, 24 x 18

    1:54 Contemporary African Art Fair returned to London for its fourth edition at Somerset house. It is a fair which remains unmatched in providing an exceptional international platform for contemporary African art. A reference to the 54 countries that constitute the African continent, 1:54 brings together artists, Galleries, curators, museums and collectors to promote the richness and diversity of African Art.

  • by Annie McGrath
    THE ELEPHANT IN THE ROOM

    This week, ironically, we have all been talking about the elephant in the room: the ivory trade, a continued source of debate in the antiques world.

     

  • by Rosie Field
    Sladmore Contemporary (Nic Fiddian Green) at Masterpiece 2014
    Sladmore Contemporary (Nic Fiddian Green) at Masterpiece 2014

    It’s September and the art world means business. The Art Business conference this week kicked off the season with the great and good of the ‘behind-the-scenes’ art world girding their loins for Frieze, Frieze Masters, Biennale des Antiquairs and the inaugural TEFAF New York.

     

    With a stand at an art fair being a significant expense (a stand at Frieze reportedly costs £500 per square metre) galleries will plan their space at a fair with the utmost care. The difference lies with those who will think beyond recreating their home showroom and those who will seize the opportunity to do something different.

  • Auction Houses feeling the benefits of a revival of Modern British Art

    Guest Blog from Work Experience Placement, Harry Edmonds
    by Guest Blog from Work Experience Placement, Harry Edmonds
    Sotheby’s are offering a preview of the Bowie collection in an exhibition at New Bond Street
    Sotheby’s are offering a preview of the Bowie collection in an exhibition at New Bond Street

    “The only real extravagance I spend money on is art” so said David Bowie, the great innovator of British popular music, in an interview with Jeremy Paxman in 1999. His sad passing earlier this year, has led to Sotheby’s securing the sale of some 400 personal items to be auctioned in three sales this November. Modern British Art was central to Bowie’s Collection with the likes of Frank Auerbach and Harold Gilman appealing to his South London roots, as well as other Modern British artists inspired by the British landscape such as Ivon Hitchens and Ben Nicholson. These British artists “led him home” according to Simon Hucker, Senior Specialist in Modern & Post-War British Art at Sotheby’s.

     

  • by Guest blog from our work experience placement, Izzie Trew
    Jiang Zhi, White Cube
    Jiang Zhi, White Cube

    The White Cube in Masons Yard and Victoria Miro Mayfair, on St George Street are both showing exhibitions of Far Eastern art, both exhibitions include well established artists from China and Japan and deal with aspects like ‘representation versus abstraction’ and exploration of ‘the self’s relationship to the infinite cosmos’.

  • by Sarah Ward, Guest blog
    Handmade at Kew
    Handmade at Kew

    During the past decade, the demand for handmade products has skyrocketed in popularity. Craftsmanship in particular has experienced a rise in popularity, as people are demanding more from their art – in a world of bland mass-production, to own something individual is enhancing. It’s a pleasure to have something that is made with love and made by hand. Becoming increasingly aware of the stories behind their artwork, people are seeking to adorn themselves and their homes with unique items that they are able to tell a story about.

  • by Phoebe Ladenberg
    The Weiss Gallery: Cornelius Johnson, Charles II as Prince of Wales
    The Weiss Gallery: Cornelius Johnson, Charles II as Prince of Wales

    Oh, London! I don’t think many of us have felt more at the beating (palpitating) heart of the action than we have over the past few weeks. As our island bobs on this choppy sea, and the rats abandon ship at an astonishing rate, many people in our city attempt to set it apart from the rest, for better or worse. The demonstration on Saturday 2 July was a largely peaceful, happy affair, but charged with political conviction and fervour: placards reading “S.O.S.” and “I will always love EU” were humorous pleas to those on the continent not to leave us behind.

  • The PAIAM Brexit Poll

    What effects can a potential Brexit have on the UK art market?
    by Antonia Kimbell, Guest blog
    The PAIAM Brexit Poll

    The UK membership from not-for-profit association Professional Advisors to the International Art Market, PAIAM, were invited to participate in a poll on Brexit. Asked whether they believed the UK should remain in the European Union, 80% said they did. The full responses including what effects a potential Brexit would have on the UK Art Market are detailed below.

  • by Phoebe Ladenberg
    Russian-born American ballerina and Hollywood actress, Tamara Toumanova, whose pearl and aquamarine suite was sold by Sandra Cronan at the BADA Fair in 2013
    Russian-born American ballerina and Hollywood actress, Tamara Toumanova, whose pearl and aquamarine suite was sold by Sandra Cronan at the BADA Fair in 2013

    We’re often talking to clients about how and why some pieces, events or exhibitions get publicity and others don’t. The truth is, when working with the media, the reason is not necessarily the artistic merits of the work alone, but the story surrounding it. There are some key factors that are very likely to capture a journalist’s attention and get the client the exposure they are looking for.

  • by Imogen Prus
    London Art Fair, 2011
    London Art Fair, 2011

    Over the last decade the art market has seen a fundamental change in the way that artworks are purchased. There has been a shift away from the gallery-based model of yesteryear when interactions were key but nuanced and often indiscernible to new audiences. This was a time when it was unsightly to publicly display a price and names were frequently dropped all over the floor. I think that it is safe to say we now occupy a much more democratic and approachable space in which to buy art. There are a number of factors driving this shift; but for the sake of simplicity I have narrowed it down to two.

  • by Freya Simms
    Highclere House, Historic Houses Association
    Highclere House, Historic Houses Association

    Question: How can I alert people locally that the auction house I run is seeking consignments (and quality ones at that)?

     

    One of the most effective ways to target the ‘right’ audience and increase the value of consignments is through complimentary local partnerships. Partnership marketing (as it is called) can pay real dividends, whether fostered through creating joint events or by securing the use of a third party opted-in database to access a new audience through effective direct marketing. 

  • by Annie McGrath
    Sarah Levy ‘#BloodyTrump’
    Sarah Levy ‘#BloodyTrump’

    It is difficult to know how to caricature a man who is already doing a very good job of that by himself, a man who seems beyond parody. Yet, in the lead up to the 2016 US presidential election, the art world has seen some excellent depictions of Republican frontrunner, Donald Trump. Here are my Top Trumps…

  • by Lucy Barry
    The Next Rembrandt
    The Next Rembrandt

    In the last two weeks it seems one can hardly read an arts article in the newspaper without the relationship between art and technology coming up. It manifests itself in two primary ways – one is examining how technology and science are pushing the boundaries of artistic practice, either challenging the artist to produce bigger, bolder, ‘better’ art, enabling the recreation of lost or stolen master works, or by removing the need for the artist altogether. The second, which I won’t explore in depth here, is how technology, particularly social media, is opening up the art market to more artists than ever before.

  • by Rosie Field
    © Henry Bourne’s portrait of Boris Johnson
    © Henry Bourne’s portrait of Boris Johnson

    The National Portrait Gallery’s current exhibition celebrating 100 years of Vogue is a must see on the never ending to-do list of the capital’s cultural offerings. The exhibition presents viewers with an historic selection of over 280 prints which have, at one time or another, made up the beautiful, glossy pages of British Vogue since its conception in 1916.

  • by Imogen Prus
    Wall Street, New York, 1915 Paul Strand
    Wall Street, New York, 1915 Paul Strand

    Over the past two decades photography has transformed into an unrecognizable beast. This is due to the mediums close relationship to technology, which as we know, updates and moves at a relentless rate. As our tech continues to develop we can explore new ways to take and share images. The boundaries between public and private are constantly being negotiated and re-negotiated and during this flux we must all work hard to ensure that our images, and image, remain safe and intact. 

     

     

     

  • by Charly Hancock
    © National Museum of the Royal Navy
    © National Museum of the Royal Navy

    Cartography, the study and practice of making maps, enable one to present and model a reality in order to communication, explain or navigate their way through the world. From cave paintings to 18th century globes, ancient maps of Greece to maps from the Age of Exploration, right up to the digital maps of the 21st century, people have used maps to present and communicate spatial information. Although printed and physical maps produce a tangible way of interacting with our world both past and present, the use of digital tools have helped change the way we see – and record – the physical world.

  • by Freya Simms
    Sotheby's
    Sotheby's

    What is it about a stint at Sotheby’s auction house that turns out such polished and dynamic business leaders? With over 1,500 people employed globally, the long-established company seems to incubate a crowd of impressive entrepreneurs and market disrupters. There is even an exclusive club of Sotheby’s alumni called ex1744 that is full to bursting with successful people chewing the fat about challenges to the art market and the opportunities there for the taking.

  • by Charly Hancock
    Tate Modern
    Tate Modern

    On the close of the first week back after the festive break, plan your year ahead with our top things to do in 2016...

  • by Annie McGrath
    Joseph Wright of Derby, A.R.A. DERBY 1734 - 1797, A GROTTO IN THE GULF OF SALERNO, WITH THE FIGURE OF JULIA, BANISHED FROM ROME
    Joseph Wright of Derby, A.R.A. DERBY 1734 - 1797, A GROTTO IN THE GULF OF SALERNO, WITH THE FIGURE OF JULIA, BANISHED FROM ROME

    The season of goodwill kicked off in a remarkable way at Sotheby’s this month where a painting by Joseph Wright sold for £665,000, with proceeds going towards helping Syrian refugees in Greece. This was over four times the price the painting was expected to go for.

  • ‘Bejewelled Treasures: The Al Thani Collection’

    A rare insight into a private collection
    by Lucy Barry
    Ornament, Aigrette, Paul Iribe, Turban ornament with carved emerald of platinum, with a large hexagonal carved Indian emerald from 1850–1900, with millegrain-set diamonds and channel-set calibrécut sapphires.
    Ornament, Aigrette, Paul Iribe, Turban ornament with carved emerald of platinum, with a large hexagonal carved Indian emerald from 1850–1900, with millegrain-set diamonds and channel-set calibrécut sapphires.

    For historical insight into the Mughal empire, a comprehensive examination of the creative influence of this period in antique, modern and contemporary jewellery design, and an afternoon with some sensational jewels look no further than the recently opened ‘Bejewelled Treasures: The Al Thani Collection’ at the Victoria & Albert Museum.

  • Willem Baron van Dedem 1929 - 2015

    This interview was first published in TEFAF's Silver Jubilee publication, 2012
    by Diana Cawdell
    WILLEM BARON VAN DEDEM
    WILLEM BARON VAN DEDEM

    The Passionate Collector who became TEFAF’s President

     

    “There are two things that make me want to buy a painting”, says Willem Baron van Dedem, who is both a renowned collector of Dutch and Flemish paintings and, for the past 15 years, President of TEFAF. “Firstly it must warm my heart and secondly it must be in a good state of preservation”.

  • by Hermione Wace
    Battersea Power Station
    Battersea Power Station

    We are a nation with a healthy appetite for heritage. Last year 71 million people visited museums in the UK, and 95% of adults in the UK agree that it is important to look after our heritage. UK citizens have the 4th highest participation rate for visiting cultural heritage, 25% higher than the European average. And visits to historic properties (58.6m) outnumber visits to all premier and league football matches by some 15 million.

     

    Perhaps this is unsurprising given that England is renowned the world over for its museums and heritage sites, from Gothic cathedrals to historic ships, and Regency mansions to Norman castles. These iconic locations are not only symbols of our national and identity, but continue to make the UK an appealing destination for tourists from around the world. 

  • by Charly Hancock
    © The Mary Rose Museum
    © The Mary Rose Museum

    The traditional museum display is constructed around objects, thus making material culture a key constituent of most museum interpretation narratives. The origin of this model can be traced in some part to private collections maintained by prominent individuals during the Renaissance. Many of the significant museums in the world opened during the 18th century, an era when the trend of collecting reached a climax. Private collections of art, objects, rare books and curiosities functioned as symbols of social prestige, and it was through the collection and consumption of objects that one acquired knowledge and superiority. With a concern for the continuity of collections, as well as a development in thinking which prioritised public education, many of these private collections were left to the state. 

  • by Anna Kirrage
    Tomasso Brothers Fine Art
    Tomasso Brothers Fine Art

    Walking round Frieze Masters last week the trend for the ‘curated’ stand was overwhelmingly evident.

     

    This came in the form of curated exhibitions of works - in some cases with loan pieces to inform the selection, stands dedicated to a solo artist or stands devoted to single private collections. At the extreme end of this, and the most show-stopping, was the all-encompassing ‘immersion’ on the stand of Helly Nahmad at Frieze Masters, which started last year with the recreation of a Parisian collector’s apartment, and continued in 2015 with a depiction of the mental asylum that housed many of the Art Brut disciples of Dubuffet alongside several of Dubuffet’s paintings.

  • Leading the Weiwei

    Ai Weiwei at The Royal Academy of Arts
    by Georgina Inglis
    Ai Weiwei at the Royal Academy
    Ai Weiwei at the Royal Academy

    The world has been waiting agog for the latest show at the Royal Academy of Arts: an impressive summation of works by contemporary artist and political activist Ai Weiwei. Featuring significant works from 1993 onwards, the year that Ai returned to China after more than a decade in New York, the exhibition is profound, powerful and deeply political.

  • For the love of spinels...

    “There is also… an other kydne of rubies which wee caule spinelle” Richard Eden, 16th century alchemist, 1555
    by Freya Simms
    Bonhams
    Bonhams

    What better way to start the week than to be dazzled by jewels and to be treated to a sneak preview of Bonhams upcoming auction of fine jewels to be held this Thursday, 24th September at Bonhams, Bond Street? One of the benefits of having been in the art market for a number of years working across auction houses, fairs and galleries is the rich and varied network you acquire along the way and the access it can bring.

  • by Hermione Wace
    Restored fresco of three women from Knossos
    Restored fresco of three women from Knossos

    In 1900 the eccentric but celebrated English antiquarian Arthur Evans began a career-defining archaeological dig near Heraklion in Crete. There he would uncover the ruins of the Palace of Knossos, the largest and most splendid Minoan settlement on the island. 

  • by Tony Thorncroft, Guest blog
    Covent Garden Theatre as drawn by Augustus Pugin and Thomas Rowlandson, engraving 1808
    Covent Garden Theatre as drawn by Augustus Pugin and Thomas Rowlandson, engraving 1808

    The Chichester Festival Theatre launches its summer season with a small drinks party for the critics, especially the critics of the national newspapers who are happy to come down from London for the first night. Around ten years ago the reviewers looked slightly mystified. 

  • The Therapeutic Qualities of Art

    We should all be making as well as looking
    by Abi Gold
    The Therapeutic Qualities of Art

    It’s amazing that working in the art world, there is so little time for being creative oneself. Of course, our work at Golden2 Consulting has lots of creative merit; writing, brainstorming ideas, thinking strategically about clients needs and goals, and discussing the attributes of the visual arts we are lucky enough to work amongst daily.

  • by Charly Hancock
    The National Gallery, London
    The National Gallery, London

    The re-opening of York City Art Gallery after a two and a half year redevelopment should have been a celebration for the city, however the introduction of a £7.50 entry fee has sparked national discussion about whether free access to art is a right, or whether we should indeed be paying for our museums and galleries.

  • by Lucy Barry
    ‘Reclining Form’, by Barbara Hepworth, 1959. Offered by Offer Waterman & Co at Masterpiece London 2015.
    ‘Reclining Form’, by Barbara Hepworth, 1959. Offered by Offer Waterman & Co at Masterpiece London 2015.

    Come the autumn, London will be awash with stellar exhibitions, the monumental ‘Frieze Week’, and a host of high profile auctions.  While many galleries take August as their holiday month there are still fantastic exhibitions and shows to see if you aren’t flying off to sunny weather elsewhere. Here are our top 4 things to see this August:

  • by Olivia Palazzo
    Callum Innes, The Regent Bridge, 2012. Photograph by Stuart Armitt. Courtesy of Edinburgh Art Festival
    Callum Innes, The Regent Bridge, 2012. Photograph by Stuart Armitt. Courtesy of Edinburgh Art Festival

    The month of August sees thousands of tourists descend upon Scotland’s capital city for the infamous Edinburgh Fringe Festival. With the city’s population almost doubling at this time, surveys show that the majority of the half a million visitors flock to Edinburgh for the notorious comedy scene. However, running parallel to the 3,000-odd shows that fall under the Edinburgh Fringe is Edinburgh Art Festival, the UK’s largest annual festival of visual art. The festival brings together the capital’s museums, galleries and artist-run spaces to create an extensive events programme which celebrates UK and international artists across all ages. 

  • by Freya Simms
    Daniel Crouch Rare Books, Apianus, Petrus Astronomicum Caesareum. Ingolstadt, Peter Apian, 1540.
    Daniel Crouch Rare Books, Apianus, Petrus Astronomicum Caesareum. Ingolstadt, Peter Apian, 1540.

    Some of the earliest evidence of man on earth demonstrates our perpetual quest to understand exactly where we are at a given time and place. Mapmaking has been an integral part of the human history for thousands of years from cave paintings to ancient maps of Babylon, Greece, and Asia, through the Age of Exploration, and on into the 21st century. People have created and used maps as essential tools to help them define, explain, and navigate their way through the world.  The earliest known maps are of the heavens, not the earth. Dots dating to 16,500 BC found on the walls of the Lascaux caves map out part of the night sky, including the three bright stars Vega, Deneb, and Altair as well as the Pleiades star cluster.

  • by Diana Cawdell
    Galerie Eric Coatelem at TEFAF 2015. Photo: Harry Heuts
    Galerie Eric Coatelem at TEFAF 2015. Photo: Harry Heuts

    The recent round of Old Master sales in London has been covered widely and inevitably the rather lacklustre results raise questions about the health and future of the Old Master market. It’s a market in decline.  It’s a market that’s dying.  It’s a market that’s dead.  So claim the naysayers.

  • by Georgina Inglis
    The Weiss Gallery, Cornelius Johnson, An Unknown Lady, Painted 1624, Oil on panel, 77.5 x 61 cm
    The Weiss Gallery, Cornelius Johnson, An Unknown Lady, Painted 1624, Oil on panel, 77.5 x 61 cm

    We are coming to the end of London Art Week (3-10 July 2015), and Mayfair and St James’s has been awash with collectors, curators and art enthusiasts gallery-hopping from one dealer to another in an area historically famed for its arts community.

  • by Annie McGrath
    Crowd Talks
    Crowd Talks

    In my foundation year at Camberwell College, I remember asking my tutor if I could go to the library and, without a hint of irony, he said: “you can, but don’t get suffocated by all the knowledge”. I laughed, before realising that he definitely wasn’t joking. 

  • Art Fairs: The Auction House alternative for dealers

    Originally published in the May 2015 issue of Arts Industry
    by Tony Thorncroft, Guest blog
     Ben Janssens, Bronze ritual food vessel Gui
    Ben Janssens, Bronze ritual food vessel Gui

    One of the familiar London experiences of a generation or so ago was to stroll down Bond Street or Cork Street, glancing in at the ubiquitous art galleries crowding there, to observe a bored young Sloane painting her nails and waiting desperately for a potential customer. It is an image of the past. Now many of those galleries will have transmogrified into global fashion shops and, in those that linger on, the listless girl will have been replaced by a harassed man anxiously searching a computer for an internet sale. Today the passing trade has all but disappeared for art and antique dealers: business is done mainly online – or at art fairs. 

  • by Anna Kirrage
    Dorotheum, Enrico Castellani (born Castelmassa, Rovigo in 1930) ‘Superficie’, 1960, titled, signed and dated Castellani 1960 on the stretcher, canvas in relief, 100 x 120 cm Schätzwert/Estimate
    Dorotheum, Enrico Castellani (born Castelmassa, Rovigo in 1930) ‘Superficie’, 1960, titled, signed and dated Castellani 1960 on the stretcher, canvas in relief, 100 x 120 cm Schätzwert/Estimate

    Dorotheum’s Contemporary Art sale, held in Vienna on the evening of 10th June, offered for sale the auction house’s most international roster of artists yet. Alongside works by Robert Rauschenberg, Cy Twombly, Victor Vasarely and Marc Quinn, was a group of masterpieces by the famed Italian avant-garde school which included artists like Fontana, Manzoni, Bonalumi, Castellani, Scheggi and Melotti.

  • by Hermione Wace
    Photo: Masterpiece London 2015
    Photo: Masterpiece London 2015

    June has arrived, and with it London will see an influx of international collectors, art professionals and aficionados flocking to this month’s veritable feast of art fairs, auctions and exhibitions. The first of the art fairs is Art Antiques London (12-18 June) returning for its fifth edition in Kensington Gardens. It is followed by Olympia International Art & Antiques that will move its dates to 19-28 June, in order to coincide with major Impressionist and Modern art auctions as well as Masterpiece London. The latter will open its door on 25 June, and after only four years is firmly established on the global art calendar. For those on the preview circuit, the excitement continues throughout London Art Week (3-10 July) in which 44 galleries and 3 auction houses will participate.

  • by Abi Gold
    Teddy BamBam ©Jocelyn Bain Hogg courtesy ATLAS Gallery
    Teddy BamBam ©Jocelyn Bain Hogg courtesy ATLAS Gallery

    Last weekend, the largest photography fair ever staged in London took place at Somerset House.The weekend event welcomed over 20,000 visitors to 70 international galleries exhibiting vintage and rare prints, and contemporary and new work by both established and emerging talent. Also included were 3 special exhibitions, installations in the courtyard, and a varied talks programme.

  • by Charly Hancock
    Sculpture by the Lakes's stand at the RHS Chelsea Flower Show
    Sculpture by the Lakes's stand at the RHS Chelsea Flower Show

    Amongst the roses and dahlias, at this year's RHS Chelsea Flower Show, there was an overwhelming presence of outdoor sculpture. One key trend was the use of recycled materials from Laura Antebi's galvanised steel wire sculptures and James Doran Webb's driftwood horses, to the weird and wonderful shell-encrusted animals by Polly Fields, which included a frightfully elaborate Tyrannosaurus Rex head.

  • by Hermione Wace
    Photo: Rory Lindsay
    Photo: Rory Lindsay

    Golden Square is fast-becoming a hot spot for the London art scene. Since 2007 it has housed the Frith Street Gallery, with its exhibition programme of leading contemporary artists and emerging talent. But is was the opening of the palatial Marian Goodman Gallery in October 2014, with an inaugural exhibition of Gerhard Richter that really put this corner of Soho on the map. This is not to mention Sadie Coles’ nearby premises on Kingly Street, Pace Gallery on Lexington Street and pop-up gallery Herald St on the Square itself. The newest addition to this impressive line-up is not a gallery, but multi-faceted arts business Golden² Consulting.